Wed. October 30 | 8:00 pm - 10:30 pm$25.00
Big Room Doors 7:00 PM
Food Service 7:00 – 9:00 PM
Lala Lala 8:00 PM | Whitney 9:00 PM
Whitney make casually melancholic music that combines the wounded drawl of Townes Van Zandt, the rambunctious energy of Jim Ford, the stoned affability of Bobby Charles, the American otherworldliness of The Band, and the slack groove of early Pavement. Their debut, Light Upon the Lake, is due in June on Secretly Canadian, and it marks the culmination of a short, but incredibly intense, creative period for the band. To say that Whitney is more than the sum of its parts would be a criminal understatement. Formed from the core of guitarist Max Kakacek and singing drummer Julien Ehrlich, the band itself is something bigger, something visionary, something neither of them could have accomplished alone. The band itself is something bigger, something visionary, something neither of them could have accomplished alone.
“The Lamb was written during a time of intense paranoia after a home invasion, deaths of loved ones and general violence around me and my friends,” says Lillie West, the Chicago-based songwriter behind Lala Lala. “I began to frequently and vividly imagine the end of the world, eventually becoming too frightened to leave my house. This led me to spend a lot of time examining my relationships and the choices I’d made, often wondering if they were correct and/or kind.”
West initially started Lala Lala as a way to communicate things that she felt she could never say out loud. But on The Lamb, her sophomore LP and debut for Hardly Art, she has found strength in vulnerability. Through bracing hooks and sharp lyrics, the 24-year-old songwriter and guitarist illustrates a nuanced look on her own adulthood—her fraught insecurity, struggles with addiction, and the loss of several people close to her.
Originally from London, West moved with her family to Los Angeles, where she spent her teenage years, and later to Chicago, where she enrolled at the School of the Art Institute of Chicago. Inspired by those cities’ DIY music communities, she started Lala Lala as an outlet where she could process her new experiences, which often involved toxic relationships and partying around the city with beloved friends. The turbulence in West’s life throughout that period resulted in an abrasive but tender debut album, Sleepyhead (self-released, 2016). West decided to quit drinking, and she began booking her own DIY tours across the country. Sobriety provided her with a newfound sense of self and clarity, and she began writing the songs for The Lamb while also starting the process of re-learning how to live her life.
After testing a handful of the new songs while on the road, The Lamb’s final form came together while recording at Rose Raft Studio in rural Illinois. Performed by West with Emily Kempf on bass/backup vocals and Ben Leach on drums, the musical arrangements of the album—blending post punk with dream pop influences that incorporate vibrant synths, a drum machine, and even saxophone—find a balance between light and dark, reinforcing these dynamic and intimate songs that will surely resonate.